consumerism

Recession Fashion

 1103812. New York Public Library“A large income is the best recipe for happiness I ever heard of.”
-Jane Austen, Mansfield Park

Of course, there’s the little matter of how will we pay for our new fall fashions? You’ll be reassured to know that this question won’t bother that sector of the population that attends fashion shows and buys directly from couturiers. For the rest of us who await the trickle-down of readymade fashion must-haves, the question is a little more acute.

One secret of success is to pick and choose. Picking a new accessory—which the Vogue editors pushed as an idea—has always been a way of getting a modish look without too much financial pain. There are bound to be a lot of inexpensive costume jewelry knock-offs of statement necklaces and faux bijoux. I admire those who can sew and adapt the latest outlines or features, whether they are the new silhouettes or an alluring bias cut. One of my favorite books, available at the reference desk in the Art Reading Room is a wonderful resource, full of pictures and retro chic suggestions, called Collectible fashions of the turbulent 30s. Now, those were the days when your dress dollar had to go a long way! Unless you were Marlene Dietrich.

Those who know how to do canny shopping will benefit this year. If you live in the metro New York area, check out two sites that offer ways to shop frugally: TheElegantTightwad.com and fashionswapandmeet.wordpress.com

Who's A Fashion Victim?

 817139. New York Public LibraryWhere did the term “fashion victim” originate? Wikipedia claims that Oscar de la Renta coined the term, and the phrase was used by Giorgio Armani. Fashion followers become victims when they get entangled in fads and materialism… Hmmm. The psychology of feminine preoccupation with fashion is a rich area for investigation. The most appropriate publication I’ve found to date on the subject has a clear-cut title: Fashion victim: our love-hate relationship with dressing, shopping, and the cost of style.

I can’t decide whether it has more of the anthropological or sociological in its scope. The book’s author moves from the fashion industry as a whole to specific feminist concerns, including body image and self-esteem. As individuals, we women begin to evolve an attitude toward these subjects from teen years on. And when we grew up has everything to do with our feelings: my coming-of-age coincided with late 60s social protest. Which means I’ve been wary of fashion—even when embracing it—ever since then.

And now it seems that our presidential contest will be two men in suits slugging it out. I’ll have more to say about the politics of male and female fashion in the weeks ahead…
 

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